Wthe the 7 Minutes with Beibhinn shoot done, I can now start freaking out about the next three weeks of shooting, starting with The Ghost Recordist (Or Echo, as Niall would like to call it, I don't know, we might have to have a vote on that)... This is going to be intense. I haven't mentioned yet that we've finally secured Rodrigo Ternevoy as our 'Mikael' after much deliberation. We've also decided that my house is the most viable place to shoot the final two scenes, we were offered another place in Longford, but it's way too far logistically. We need a sound studio, and my bedroom is halfway there, we also need a room that's a blank canvas to use as the oratory, so we're using my mam's room, with her permission, of course. For our exterior, Shane has agreed to let us use his granddad's house on the condition that we don't go filming inside. So, everyone has their scripts, call sheets, contact sheets, shooting schedule, lunch is being made, I just hope I haven't left anything out. We meet in Shane's place at 10am, wish us luck.
In other news, Who's the Mother is up the following week, and it seems they're having trouble procuring an actor too. I haven't seen the final script yet, but it's the least of my worries now, I'm sure they'll send it out soon. Lesley Ann has talked to me about the soundtrack for the film, I though some acoustic guitar music a la Juno would be nice, but we're going to talk more about it in post. James has also been giving me some examples for the Isolation soundtrack, he cited some of the score for Book of Eli, as well as this Dark Ambient stuff as examples. He also talked to me about the atmosphere they were going for. The script has changed a lot since the promo, and they've removed all horror elements of the film, so the sound design will have to change accordingly. It seems like it's actually going to be easier on me, so I'm not worried.
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